Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Lawrence D.H., Women in Love — 1996 (Penguin Popular Classics)

Women in Love is, however, a profound response to a whole cultural crisis. The "progress" of the modern industrialized world had led to the carnage of the First World War. What, then, did it mean to call ourselves "human"? On what grounds could we place ourselves above and beyond the animal world? What are the definitive forms of our relationships - love, marriage, family, friendship - really worth? And how might they be otherwise?

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

The Wordsworth Book of Horror Stories — 2004

...it is an universal phenomenon of our nature that the mournful, the fearful, even the horrible, allures with irresistible enchantment. - Chaucer Burr, Memoir, 1850. The Wordsworth Book of Horror Stories is a superb collection of some of the greatest tales of the genre, many are classics while others are lesser-known gems unearthed from this vintage era of the supernatural

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Õàððèñîí Ë., Ãëàâíàÿ èñòèíà ëèáåðàëèçìà. Êàê ïîëèòèêà ìîæåò èçìåíèòü êóëüòóðó è ñïàñòè åå îò ñàìîé ñåáÿ — 2008 (Áèáëèîòåêà Ôîíäà "Ëèáåðàëüíàÿ ìèññèÿ")

Îêàçûâàåò ëè êóëüòóðíàÿ ñïåöèôèêà ðàçíûõ ñòðàí âëèÿíèå íà èõ ïîëèòè÷åñêîå, ñîöèàëüíîå è ýêîíîìè÷åñêîå ðàçâèòèå?Ñâÿçàíû ëè êóëüòóðíûå òðàäèöèè è ðåëèãèîçíûå óáåæäåíèÿ ñ óðîâíåì ãðàìîòíîñòè è êîððóïöèè, ïðîäîëæèòåëüíîñòüþ æèçíè è òåìïàìè ýêîíîìè÷åñêîãî ðîñòà?Ìîæíî ëè "ðåôîðìèðîâàòü" êóëüòóðó - èçìåíèòü åå ôóíäàìåíòàëüíûå îñîáåííîñòè ñ ïîìîùüþ ïîëèòè÷åñêèõ èíñòðóìåíòîâ? Íà ýòè âîïðîñû îòâå÷àåò êíèãà ñîöèîëîãà Ëîóðåíñà Õàððèñîíà "Ãëàâíàÿ èñòèíà ëèáåðàëèçìà", ïîäâîäÿùèå èòîãè èçâåñòíîìó èññëåäîâàòåëüñêîìó ïðîåêòó "Êóëüòóðà èìååò çíà÷åíèå".

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû ïî îáùåñòâåííûì è ãóìàíèòàðíûì íàóêàì

Ïîäðîáíàÿ èíôîðìàöèÿ

Lawrence D.H., Sons and Lovers — 1998 (Oxford World s Classics)

`I tell you I have written a great book/// Read my novel, it is a great novel`, Lawrence declared shortly before Sons and Lovers was published in 1913. Drqwing on his own Childhood and asolescence, Lawrence depicts the early married life of the Morels - the father a hardworking, hard - drinking Nottinghamshire coal miner, the mother a refined woman of middle - class aspitations. Born into the family battle, their son Pau Vorel initially takes his mother`s part, until in adolescence he meets and falls in love with a young girl, Miriam, and discovers a new conflict of loyalties. Sons and Lovers portrays the sexual and emotional struggle of Paul Morel, caught benween the women he attempts to love, and in it D.H.Lawrence transforms autobiography into art

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Lawrence D.H., The Lost Girl — 1977

A novel focusing mainly on the Nottinghamshire of Lawrence s youth, remembering the community and its inhabitants. It is the story of Alvina s rebellion against the ordinariness of life. She undertakes a wild affair with a vaudeville actor and then escapes to a more fulfilling life in Italy.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Õàððèñîí Ë., Êòî ïðîöâåòàåò?. êàê êóëüòóðíûå öåííîñòè ñïîñîáñòâóþò óñïåõó â ýêîíîìèêå è ïîëèòèêå — 2008 (Áèáëèîòåêà ôîíäà "Ëèáåðàëüíàÿ ìèññèÿ")

Êíèãà àìåðèêàíñêîãî ñîöèîëîãà Ëîóðåíñà Õàððèñîíà "Êòî ïðîöâåòàåò?" ïîñâÿùåíà àíàëèçó ïðè÷èí è óñëîâèé, ëåæàùèõ â îñíîâå ýêîíîìè÷åñêîãî óñïåõà ðàçëè÷íûõ ñòðàí, çà êîðîòêîå âðåìÿ ïðîäåëàâøèõ ïóòü èç òðåòüåãî ìèðà â ïåðâûé, è ðàçëè÷íûõ ýòíè÷åñêèõ ãðóïï èììèãðàíòîâ, ïðåóñïåâàþùèõ íà ÷óæîé ïî÷âå.Áðàçèëèÿ,Èñïàíèÿ,Òàéâàíü è Êîðåÿ,ßïîíèÿ

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû ïî îáùåñòâåííûì è ãóìàíèòàðíûì íàóêàì

Ïîäðîáíàÿ èíôîðìàöèÿ

Lawrence D.H., The Prussian Officer and Other Stories — 1977

These stories probe previously uncharted depths of feeling and perience. The stories include The Prussian Officer, The Thorn In the Flesh, Daughters of the Vicar, A Fragment of Stained Glass, The Shades of Spring and Second Best.

Ñîäåðæàíèå: The Prussian Officer; The Thorn in the Flesh; Daughters of thr Vicar; A Fragment of Stained Glass; The Shades of Spring; Second Best; The Shadow in the Rose Garden; Goose Fair; The White Stocking; A Sick Collier; The Christening; Odour of Chrysanthemums.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Lawrence D.H., The Princess and Other Stories — 1978

Twelve stories all from the last eight years of Lawrence's life, when his vision sought expression more and more in the form of fables.

Ñîäåðæàíèå: The Wilful Woman; The Princess; The Overtone; The Flying Fish; Sun; Mercury; The Man Who Was Through with the World; A Dream of Life; The Undying Man; The Blue Moccasins; Things; Mother and Daughter.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Lawrence D.H., The Trespasser — 1976

D.H. Lawrence s second novel, The Trespasser, is based on the diary of Helen Corke, a friend of Lawrence whose adulterous relationship with a married man led to his suicide. Helena and Siegmund are in love. But there is more than one obstacle to their happiness. Siegmund is a married man with children and Helena is full of inhibitions. They spend a week tigether on the Isle of Wight, but on their return to London Siegmund faces a deadlock.David Herbert Richards Lawrence (1885-1930) was an English author, poet, playwright, essayist and literary critic. Lawrence has become famous for exploring the dehumanizing effects of modernity and industrialization in his writings, along with human sexuality and emotional well-being.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Lawrence D.H., Odour of Chrysanthemums and Other Stories — 1977

Ñîäåðæàíèå: Odour of Chrysanthemums;A Sick Collier;Strike-Pay;The Christening;The Prussian Officer;England,my England;Samson and Delilah;The Horse Dealer's Daughter;You Touched me;The Rocking-Horse Winner;Things;The Lovely Lady

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Lawrence D.H., Sea and Sardinia — 1976

In January 1921, D. H. Lawrence and his wife Frieda visited Sardinia. Although the trip lasted only nine days, Lawrence wrote an intriguing account of Sardinian life that not only evokes the place, people and local customs but is also deeply revealing about the writer himself. Remarkable for its metaphoric and symbolic descriptions, the book is transfused with the author s anger and joy. His prejudices and his political prophecies make Sea and Sardinia a unique and dynamic piece of travel writing. The Cambridge edition restores censored passages and corrects corrupt textual readings to reveal for the first time the book Lawrence himself called A Marvel of Veracity.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Lawrence D.H., The White Peacock — 1977

Lawrence s first novel The White Peacock was begun in 1906, rewritten three times, and published in 1911. The Cambridge edition uses the final manuscript as base-text, and faithfully recovers Lawrence s words and punctuation from the layers of publishers house-styling and their errors; original passages, changed for censorship reasons, are reinstated. Andrew Robertson s introduction sets out the history of Lawrence s writing and revision, and the generally favourable reception by friends and reviewers. Lawrence incorporated much of his own experience and reading on to the novel which is set just north-east of Eastwood, and modelled characters on his friends and family. The notes identify real-life places and people, explain dialect forms, literary allusions, and historical references, and include sensitive passages deleted before publication. The textual apparatus records all the variant readings and the appendix prints the two surviving fragments from the earliest manuscripts of the novel, then entitled Laetitia.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Lawrence D.H., The White Peacock — 1982

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Lawrence D.H., Selected Short Stories — 1982

This selection of short stories has been made, not only with the purpose of offering a representative and wide-ranging selection of Lawrence's work in this literary form, but also to trace a pattern of development in the authors career.

Ñîäåðæàíèå: Love Among the Haystacks; The White Stocking; Odour of Chrysanthemums; Daughters of the Vicar; Second Best; The Shades of Spring; The Prussian Officer; The Thorn in the Flesh; The Moral Coil; England, My England; The Horse Dealer's Daughter; Samson and Delilah; Tickets, Please; The Blind Man; Fanny ana Annie; You Touched Me; Jimmy and the Desperate Woman; The Border Line; The Woman Who Rode Away; Sun; The Rocking-Horse Winner; The Man Who Loved Islands; The Lovely Lady; Things; Mother and Daughter.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Lawrence D.H., Lady Chatterley s Lover — 2003

In the short summer night she learnt so much. She would have thought a woman would have died of shame. Instead of which, the shame died.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Lawrence D.H., The Rainbow — 1985

Ðîìàí ïîâåñòâóåò î ñóäüáàõ íåñêîëüêèõ ïîêîëåíèé ôåðìåðñêîé ñåìüè Áðåíãóýíîâ, óäåëÿÿ áîëüøîå âíèìàíèå èçîáðàæåíèþ âíóòðåííåãî ìèðà ãåðîåâ.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

The Christmas Reader — 1986

The wonderful anthology of verse and prose, short stories, reminiscences and diary entries, ranging from the traditional to the subversive, the whimsical to the sinister, the ironic to the tragic. Exquisitely illustrated with black and white drawings from many periods, The Christmas Reader is a perfect source-book for reading aloud to family and friends.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Herzig A.C., A Season of Secrets — 1982

Brooke had been looking forward to a great summer: swimming, biking, making money painting houses with her best friend. And of course, spending time with her younger brother, Benji. But lately Brooke has begun worrying about Benji. Why has he fainted...again? And why is everyone trying to pretend that it didn't happen? Her parents keep insisting that Benji is fine, but Brooke knows better. Lately he spends all of his time alone in his room - and he's quieter than ever. Brooke thinks her parents better start telling the truth. Because Benji's got a few secrets of his own.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Stone L., The Family, Sex and Marriage in England 1500-1800 — 1988

This book studies the evolution of the family from the sixteenth to the nineteenth century and how the process radically influenced child-rearing, education, contraception, sexual behaviour and marriage.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Õðåñòîìàòèÿ ïî àíãëèéñêîé ëèòåðàòóðå ÕÕ âåêà — 1985

Õðåñòîìàòèÿ ïðåäñòàâëÿåò ñîáîé ïîñîáèå ïî êóðñó àíãëèéñêîé ëèòåðàòóðû XX âåêà äëÿ ñòóäåíòîâ ôàêóëüòåòîâ èíîñòðàííûõ ÿçûêîâ ïåäàãîãè÷åñêèõ èíñòèòóòîâ.  íåå âõîäÿò îòðûâêè èç ïðîèçâåäåíèé àíãëèéñêèõ ïèñàòåëåé è ïîýòîâ. Îòêðûâàåò êíèãó êðàòêèé î÷åðê, õàðàêòåðèçóþùèé àíãëèéñêóþ ëèòåðàòóðó ÕÕ âåêà, åå îñíîâíûå íàïðàâëåíèÿ è òåíäåíöèè. Êàæäîìó ïðåäñòàâëåííîìó â õðåñòîìàòèè àâòîðó ïðåäøåñòâóåò êðàòêàÿ áèîãðàôè÷åñêàÿ ñïðàâêà. Êíèãà çàâåðøàåòñÿ ïîäðîáíûìè ïðèìå÷àíèÿìè, äàþùèìè íåîáõîäèìûå ëèíãâèñòè÷åñêèå, ëèòåðàòóðíûå è èñòîðè÷åñêèå ïîÿñíåíèÿ.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ